One of my favorite parts about Tonal Balance Control is that provides an assortment of preset targets for bass heavy, classical, country, EDM, folk, hip-hop, jazz, modern, orchestral, pop, reggae, RnB-soul, and rock music. Even if you’re mastering in a separate project, Tonal Balance Control shows you where it may be a good idea to make EQ adjustments to your mix. This is good news if you’re mastering in the same project you mixed your song in because it lets you make small level adjustments to individual tracks and see their affect. Ozone 9 Advanced comes with an improved Tonal Balance Control component, with faster performance and smooth metering, that can communicate with other iZotope plugins across your project session. As long as your mix sounds like it’s balanced similar to your well-mixed reference track, there’s a good chance it will translate well to other playback systems. ![]() If you’re working in a less than ideal environment, reference tracks are an essential resource. Getting a mix to sound balanced can be difficult, especially if your listening environment is lying to you this is why it’s important to sound treat your home studio.
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